Tomasi and Gleason just pile on the crazy imagery of this battle of Oa. And then Mogo, the entire planet that is also a Green Lantern, attacks the Black Lanterns. And then, sick with rage, Guy becomes infected with a Red Lantern ring, which replaces one's blood with burning napalm super-blood that is projectile-vomited out and fills you with a berserker, kill-crazy rage.Īnd then Kyle comes back to life. Then Kyle Rayner obliterates most of them in a suicide attack. Then, when they are strong enough, having charged their rings by feasting on the emotions they drained from the living by fucking with their heads for a issue or three, the Black Lanterns attack the central power battery, the giant green lantern thing that powers all of the Green Lantern rings in the universe. Our heroes are confronted by Black Lantern versions of their fallen loved ones. ![]() Guy and Kyle are flying back to Oa after their appearance in Blackest Night #1, for “Tribute Day,” one of those neat little faux-cultural details Johns made up for the DCU that DC Comics lost in their reboot, when swarms of black rings attack their home planet, reanimating dead Green Lanterns as undead Black Lanterns, who then proceed to kill their fellow Lanterns, who are then also reanimated as Black Lanterns, zombie plague-style. He got to write about what was happening in outer space rather than on Earth, and was apparently happening there was, as I said, completely insane. His was a Green Lantern book, but not the Green Lantern book, the one with the star Lantern. the undead Black Lanters), Tomasi had a task somewhere in between. While Johns wrote Blackest Night and Green Lantern, and thus told the main story of the event, and while most every DC book dealt with their protagonists’ personal fronts in the so-called “War of Light” (that is, the variously-colored Lantern armies vs. Who better for a DC Comics superhero horror mash-up on an epic, Crisis-level scale? And, of course, it was conceived of and written by Geoff Johns, the foremost practicioner of modern superhero decadence and ultra-violence. ![]() It also focuses on all the weird and fun little details of the Green Lantern Corps concept: Where do they put prisoners, where do they bury their dead, how do the rings work, what are the rules of being a Green Lantern, what do they do in their time off, and so on.ĭuring the course of the comics contained in this volume, it also completely insane.īlackest Night was, of course, a simplistic but somewhat irresistible concept, already mined to death by Marvel-superheroes + zombies-but more immediate in practice because it was set in the “real” DC Universe. While Green Lantern was more or less a standard superhero book, with the title character doing superheroic stuff by himself, GLC was written as more of a team book or, in Tomasi’s hands, something between a comic book version of a police procedural and a war movie. The series stars Guy Gardner, the Green Lantern of the 80s, and Kyle Rayner, the Green Lantern of the 90s, and is set on the Green Lantern homeworld of Oa, featuring a big ensemble cast filled out by various alien Green Lanterns and functionaries within the organization. In keeping with the apparent creative process of parent title Green Lantern, each issue of this series has multiple inkers, sometimes a comically large number of inkers, so it must have always been on the brink of shipping late. Tomasi and penciled by Patrick Gleason, the then-regular creative team of the since rebooted Green Lantern Corps series. The phrases in the title of this 2011 trade collection seem like they should maybe be flipflopped, as it collects issues #39-#47 of the series Green Lantern Corps, while Blackest Night is the name of the inter-book storyline/event these issues are tie-ing in to, either directly or indirectly.
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